Positive Grid has stripped back the Riff to its bare essentials, giving you only one control on the front of the unit. This slimline USB audio interface is developed with guitar and bass players in mind and can be fully integrated with the award-winning amp and effects software, Bias FX 2. Positive Grid - the company behind the insanely popular Spark practice amp - has entered the world of recording interfaces with their latest guitar-focused product, Riff. Even if you’re dead set on using hardware, the potential for tonal experimentation before recording is worth the price of entry alone. The ace in IK’s pack is the included Amplitube 4 Deluxe amp/FX modeller – the not quite flagship but still impressively featured plugin/app you can use in place of your ‘real’ gear. Featuring two instrument inputs (plug your electric guitar or bass guitar in here!) and dual phantom-powered combo inputs (for use with condenser mics and line-level signals), the Axe I/O offers plenty of, er, I/O for recording your, erm, axe. Best guitar audio Interface: Our top picksĮvery audio interface here is a worthy product, but IK Multimedia’s Axe I/O is among the best. We've included some in-depth buying advice at the end of this guide, so if you'd like to read it, click the link.
So, let's not delay the recording of your magnum opus any further and dive into the best guitar audio interfaces on the market right now. We've put together this list of our favourite guitar-based audio interfaces from industry leaders such as IK Multimedia, Focusrite, Universal Audio and many more. Well, you don't need to worry, that's what we are here for. We welcome and questions or additions to the discussion in the comments.Now, there certainly isn't a shortage of options out there for guitarists looking to record, and let's be honest, it can get very confusing when trying to work out which is the correct interface for you. With standard tuned guitars I find EQ adjustments around 100-150hz are good for lows, 400-600hz for mids and 5k-6k hz for highs a good place to start.
I prefer parametric EQ but graphic EQs tend to be easier for those starting out. EQ before the amp is more for tailoring how the amp distortion reacts and will have less of an effect on the overall EQ vs after the amp. If not, load an EQ after the amp either before or after the cabinet. Next step is to adjust the amp bass, middle and treble to see if you can balance it our to your liking. This will bring the frequency response into the range of the tones we hear on a CD or Mp3. Start with a setting a high pass filter at about 80hz and low pass filter around 8k hz. It is important to find an IR you like the basic sound of but maybe sounds a little too thin or a bit too bright. Even if an IR sounds off at first it is good to take a few minutes to adjust to it before making a final decision. Also, when use to one IR then switching to another can cause a whiplash to the mind. Of course that preset was setup for the variables present at the time of making. It can produce a preconceived bias to load an IR into an existing preset and expect the sound to automatically be better. Now, I recommend starting your IR discovery with a new preset with bass, mids and treble all at noon. Then, what style of cabinet is best for you? Open back smaller cabs sound, well, smaller, have less lows and more focus in the mids.
ATOMIC AOMPLIFIRE VS POSITIVE GRID FX SOFTWARE
With the wide variety of guitar amp modeling software such as the S Gear, Softube Amps, Peavey Revalver, Positive Grid Bias, Amplitube and hardware such as Line 6 Helix, Atomic Amps Amplifire, Fractal Audio Axe Fx II and Headrush the door is open to professional sounds right at home.įirst thing to note, do you have experience with specific speaker models? No? What do your favorite artists use? This is a good place to start. We all want the best guitar tone, whether it be for blues, country, pop or rock and impulse responses can help us get there. While we generally think of them by the speaker used the microphone, cabinet, power amp and even the room where created have large impacts on the sound. Most all IRs are unique due to the many variables involved in creating them.
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